I believe June 6th marks the date when all things come to an end. When everything you have tried to accomplish for the past 3 years stops. When the music stops playing… literally.
Within the past three days, the Spring Music Concert took place. This year it was organized different than any other year that I can recall at SCPA. Instead of having two nights–one for choral, one for instrumental–we had three: Wednesday night was for strings, Thursday night was for choirs, and Friday night was for bands. Each of them were great, but after playing my last song at Friday’s concert… I finally realized that it’s over. That I’ll never be able to play with such amazing musicians (at least amazing musicians that can be ghetto at the same time
)
I guess it’s logical to just split the nights up. Wednesday night was the orchestra and strings. Before the event, I hung out with Anthony Salvani, Adrian, Dianne, Sarah Goodwin, Lorenzo Cuevas, Ariel, and Leland. Drove to Inn-n-Out (almost died when driving with Adrian in the rain), threw ketchup packets at birds, freaked out by the possibility of the power terminal falling on us… just had a fun (and cold) time.
The performance itself was good. I only listened to three groups, though: Jordon’s guitar solo with string accomaniment, James conducting the intermediate group on Pagodas, and the Chamber Orchestra. Jordon’s piece was amazing, though I could tell that he was very nervous, which did affect the beginning of his piece. But he ended strong and by just looking (or listening) to the piece as a whole, I think it’s valid to say that he did a great job.
James did a fabulous job in conducting. After watching James and Quiroz (during the music sharing on Friday), I am at awe in the amount of patience it takes to teach a lower class. Obviously, you can’t perfect an intermediate group (at least for band). Tuning isn’t as vital as dynamics or rhythms, but it can still bug the heck out of a conductor who has a good ear.
Orchestra did great. Slavonic dance was… well… easy? Though, I found it odd that Siera made Hanna’s solo into a piccolo/flute duet. I could see someone at the corner of my eye looking at her when she started playing. That fight for first chair will never end until Siera graduates. I do wonder, though, who will take over when the 09ers leave. Jupiter was great too… though… of course 17 and those runs are never fun for me. Anyways, I’m glad we were able to pull off such a crazy piece.
Thursday preparation wasn’t so fun. That day I finished my black belt test. Broke five boards and it felt like I broke my hand along with it. It got swollen… and on top of that I had a massive headache. I should have went home sooner, but I wanted to chill with some of my friends. I had a good time for a bit. I was able to talk with Antonella for a bit on religion. Afterwards, I went with Anthony S so I could get some alieve for my head. I kind of forgot that my Dad took them to work -.- I was able to get a good nap and a shower before the performance, though.
Despite having the pain in head and hand and allergies during the rehearsal, the Choral Ensemble concert itself was pheonominal (no, I am not looking through a thesaurus just to give props to the groups I heard). That night, we sung Dies Irae, Besame Mucho, Sicut Locutus Est, The Conversion of Saul, Four Brothers, Elijah Rock [again], and Let Freedom Ring. The ones that stood out that night were Besame, Conversion, Four Brothers, and Let Freedom.
Besame Mucho was great because we were finally able to get the style down. Even though it’s a simple song and we started learning it last semester, we were having trouble with the song even on the rehearsal prior to the performance. In the end, that song was a huge success.
The Conversion of Saul has always been a great piece to sing. Knowing the background story of the song helps as well with singing the piece. But really… what other song do you stomp, break the risers in the choral room, and shout like a haka boy? None that I’m aware of. But it isn’t just the power in the beginning of the piece that makes it great. The emotion that comes in the end is a great glue to the whole song. It even made Amber cry! I was shocked at that.
Before tour, I used to hate Four Brothers. The bass line is ridiculous to learn. Minor seventh leaps (I think there are even ninths) and dissonant harmonies? No bueno. On top of that… the words are ridiculous! “Take a seat and cool it ’cause unless you overrule it we are ready to show you some blowin’. A rompin’ and a stompin is a lot of fun for brothers who are blowin’ a horn.” I wanted to burn the piece when I was learning it. But after mastering it on tour… I’ve finally got the groove. And that night, I was able to get in the groove and have an amazing time with that song. The soloists do an amazing job… especially Lorenzo Burroughs. Man… he has an amazing voice. And then hitting the high A (A7?) was awesome hahah. I find it odd, though, that Haus notes me when singing that note, but doesn’t mention the soloists. Hahha oh well
And then Let Freedom Ring was a very sad song to sing for me. It was the first piece that I had ever learned in Choral Ensemble. After hearing Chauncey, Lauren, and Lawrence doing their thing and hearing the choir of alumnus and current Choral members, I had that sentimental mood. However, we still have the June 14th concert to look forward to.
Lastly, Friday… short and bittersweet night. To start off, EVERYONE went off with Paige to go watch some movie… except for the cool kids, of course (being Chris Iroz, Adrian, Anthony S, Moores, and Lindsay). After Anthony got some money from home, Adrian, Anthony, Chris, and I left to go get some mexican food at Super Sergios while the others waited. The talks we had were great… while random, it still stayed sane. I was able to chat with Chris before we depart. Man… my first friend at SCPA. He’ll be missed.
When we got back, we ate… joked about what was going on in the band room (James, Chrystina Taylor, and Jessica). “Hot sex, hm?” When James exited, we asked how it was. After him being confused, we inserted a few hints on what we meant. He looked at us, and said he had to go to the bathroom in attempt of ending the conversation. Then Iroz blurted “ah… going to clean yourself up, eh? I think you got something on your pantleg” (there in fact was a sticker there, but you know whatwe meant. hahha)
Later came Philip Narveson… who appeared on each night. Apparently he took the bus here… which was shocking. We walked to Taco Fiesta so he could get some grub and had a good chat on life in different sorts. I never was able to elaborate on the pranks we did because of all the stuff we did talk about 
There were only three groups that night: Concert Band, Wind Ensemble, and Jazz Band. Before we went on, the flutes made sure we were in tune. The two pieces WE performed were Light Cavalry and Russian Christmas Music. Alex Nizzoli conducted Russian. Everyone was nervous about that piece because, like Besame, although we started learning it last semester, we were not ready at all for the performance. Unlike Besame, there are 4 movements to Russian. And I must say… WE DID IT! It sounded so beautiful, I really wanted to cry. Chris Iroz doing his first solo and did a great job (even with his one mistake, he made it sound fine). To this day Russian Christmas Music stands as my favorite song ever played in Wind Ensemble. Some find the song sad… I find it melancholic and hopeful. To those who bought a CD of the performance, PLEASE get to me. I don’t want to forget that performance of Russian Christmas Music and all the jazz pieces.
Every night, I saw friends cry. Even strongminded people like Anna broke-out. I didn’t really relate to the emotion until Friday. I joined Wind Ensemble back in 10th grade. I have been able to play with such amazing musicians that it is an honor to be under their shadow: Bill Chen, Tracy Moore, James Moore, Hanna Moradi, Jason Tsunoda, Emily Safrin, Steven Luu (:D), Colleen Couey, Alex Nizzoli, Don Oasin (:P), Matt Smith (the trombone player), Amber Ferrel, Devin Ratelle, John Meyers, Jarel Paguio, Alex Heath, Lorenzo Cuevas, Aaron Nash Alex Tragesser… that only accounts for the kids in Wind Ensemble–and I wasn’t even able to mention everyone that has made an impact on me. I probably will join the band and choir at Point Loma Nazarene and their band will most likely be better as a whole. But… I just don’t know. It’s rare to find a conductor as determined and motivated as Ms. Paige is. To find such amazing soloists with open minds. To find such diverse people. The uncertainty of not knowing if I’ll ever meet such amazing people gets to me.
SCPA is not a closed book though. I could still be like Gabe or Matt Smith and join in a future concert. I’m not an amazing flautist, but I’d like to contribute somehow. Maybe that’s an incentive to ante up my game.
As the final performance was about to begin, I made a pact with Tracy, Adrian, and Iroz that next year we would go up to Anaheim and stay in the same hotel as the band kids are next year. Our intentions were for pranks… but I think we all wanted to go up to Anaheim to be with our favorite group again. I just hope I can make such a commitment. Anyone else with us?
SCPA music is like Narnia… in a sense. I’ve entered Narnia through the wardrobe and now that I have left, the magic is gone; the wardrobe is closed. But if I am called, I’ll be apt as ever to enter in again.